禁忌的游戏

简介：　　Gentry Wade, who gave up music after her father's death decades ago must confront her past when Nashville's Grand Ole Opry invites her to honor her late country star dad at their Christmas celebration.

简介：　　佐藤铃（道本成美）为了逃避母亲（南久松真奈）的过度干涉，在川上信夫（泉知束）的引导下，前往东京的一处房产进行内览。尽管被告知前住户山本孝雄（岩永ひひお）因欠租而失踪，铃仍被这处优质房产所吸引。信夫提议她单独继续内览时，铃顺从了他的建议。然而，她在房中听到某种不祥的声音，被引导着打开了一扇通往异世界的门，随后被强行拉了进去。醒来后，她发现自己身处一座荒废的巨大建筑中，迷茫中遇到了自称山本孝雄的男子。这个空间被某个怪物所支配，既无法逃脱，也无法死去，真正的无间地狱。

简介：　　只是一场意外，却又超乎意外。驾车撞死一条狗，男子与妻女来到陌生车房。凭其义肢走动时的声响，车房工认出司机或是当年施酷刑的狱吏。仇人送上门，雪恨更待何时。然而，狱中受折磨时双眼被蒙，嫌疑犯是行刑者确实无误？从早到晚奔波一轮，找来几个狱友确认俘虏身份，痛苦回忆涌上心头。在无 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否问心无愧？以悬疑惊栗布局，暗黑写实的人物故事来自巴纳希狱中亲见亲闻，将苛政、滥权、以暴易暴一一置于道德伦理的天秤上，丈量人性轻重；悲愤中不失幽默，连消带打贪污贿赂之风。一面金棕榈奖，绝非意外。

简介：玛西，一位年轻女子，被一个面目狰狞的怪物掳走，这个怪物一心要把她当作自己的孩子抚养长大。

简介：　　影片讲述了隐居的中国探险家原振与老队友二哈、三爷，因一场地下黑交易而卷入与国宝楚帛书相关的巨大隐秘中，并被指使前往北极探险，寻找传说中具有逆转时空力量的女娲石的故事。

简介：　　往日的承诺如今被当作债务来索要，塔里和卡达尔必须揭开母亲安贡的秘密在七天结束前拯救自己的性命。

简介：　　索尼（亚当•桑德勒 饰）今年已经32岁了，可是为人缺乏责任感，因为他由衷想逃避所有成年人应该承担的责任。正是因为这个原因，她的女友云妮决定要离开他。索尼感到很无奈，眼看自己的朋友也都全部成家立业了，自己的女友也离开了自己，他便觉得压力更大了。
　　他突发奇想，要到收养5岁小孩朱利。天真的索尼认为这样便能让云妮回心转意，于是他向福利处撒谎说自己是朱利的生父并顺利的收养了朱利。但云妮心意已决，索尼终究没有赢回云妮的心，但面对已经收养了的朱利，他只好尝试与之相处了。
　　但的确是一种责任，索尼必须每天都要面对索尼种种小孩子的行为，导致笑料百出。但渐渐，他似乎又习惯了这种责任，开始乐在其中……

简介：　　★《麻醉风暴》副导演首部长片，颠覆想像打造台湾灵异惊悚电影新篇章！
　　★ 金马影后提名吴可熙、金钟视后及金奖影后提名杨丞琳、金马最佳女配角丁宁三后同台飙戏！
　　★《同学麦娜丝》《角头–浪流连》金马奖最佳男配角提名郑人硕深情演出！
　　★《老师，你会不会回来？》暖男是元介化身火爆重案组刑警！
　　★ 文化部年度优良电影剧本佳作惊悚推理改编！
　　⧔ 剧情简介 ⧕
　　解不了的谜，破不了的案，就靠…灵语
　　刑警志凯(是元介饰)奉命调查一起无名儿童连环箱尸命案，同时，他在国小任教的姊姊美珍(吴可熙饰)在放学时发现女儿惨遭歹徒绑架，志凯与搭档嘉强(禾浩辰饰)私下展开紧急救人行动。在查案过程中循线追踪到美珍的前邻居明城(郑人硕饰)与慧岚(杨丞琳饰)，意外发现他们的女儿也已经失踪一年，案情胶著找不到任何线索，几乎成了破不了的悬案，两起看似毫无关联的案件背后似乎隐藏惊人的连结。时间一分一秒过去，外甥女命在旦夕、连续箱尸命案案情扑朔迷离，只有鬼魂知道真相，走投无路的志凯只能求助师姑曾白石(丁宁饰)，她拥有特殊体质能够接收「灵语」，而一桩桩悬案的关键线索，是否能借助「灵语」抽丝剥茧找到骇人真相…。

简介：　　The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.

简介：高中女生每天醒来时，都不记得昨天发生的事。她决定与一位拘谨的同学交往，面对每一天的崭新开始，两人的爱能顺利茁壮吗？

简介：　　在洛杉矶火山喷发释放出巨大的群熔岩呼吸狼蛛。

简介：　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.