蚁人

《突破者》讲述了由华人组成的“突破者”国际救援搜救团队参与救援的故事。搜救队在一次任务结束后，接到了新的委托，通过调查，队员华子发现，任务可能危险，不同意，可队长罗峰峰认为，在极限中救援，在不可能中创造可能，尽全力救下每一个生命，这就是搜救队成立的初衷。凭着这 个信仰，几人踏上了一场以命相搏的救援。在这场救援里，每个人都在为生命努力，不放弃自己，和任何一个需要自己的人。 搜救队进入底下基地，遇到了变异的怪兽的多次袭击，在经历死里逃生的斗争后，终于救出了唯一的幸存者雪瑶，然而也因 她的私心，为救援队带来更大的灾难，也为了保护身边的人，大家奋不顾身的冲向前面，几乎是以命相搏，终于平息了这场灾难。

　　Without warning, millions of mysterious alien "doors" suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies. Bizarre incidences occurring around the sentient doors leads humanity to question their own existence and an altered reality as they attempt to enter them.

　　随着生态灾难对畜牧业的破坏，杰克（祖克曼饰）和他的妻子莱拉（塔利娅·扎克饰）正在他们与世隔绝的牧场进行生物技术实验。当莱拉渴望儿子从寄宿学校回来时，杰克进行了一项研究，他希望这项研究能拯救他的家庭免于经济崩溃。这部由澳大利亚导演汤姆·麦基斯和威尔·豪沃斯（Beast，SFF 2016）精心撰写、表演出色的长片，在阴郁的天空聚集和这对夫妇的关系开始紧张的情况下，发生了不可预测的转折。《试管婴儿》在新南威尔士州干燥得令人毛骨悚然的莫纳罗平原拍摄，令人感到幽闭恐惧、悬疑和恐怖可信。

　　几十年来，科学家们一直在推测木卫二可能是除地球之外，太阳系中唯一一个有大量液态水存在的地方。因为木卫二的表面照片与地球海洋上的冰的照片相似，冰壳上布满了各种陨石撞击留下的坑坑洼洼，不少科学家推测，在木卫二的冰壳之下或许有着太阳系中最大的液态水海洋，海洋下面可能存在着有单细胞生命。而这一“生命可能”的理论正是电影《欧罗巴报告》的核心。

　　城市突然遭遇巨型怪物袭击，两个素不相识的人被困在了地下。他们身负重伤，能用的资源也十分有限，但他们必须在一条危机四伏、不断收窄的隧道中艰难前行，只求能找到一处出口。

　　故事讲述刚离婚不久的格雷格(威尔逊饰)遇到了迷人的伊莎贝尔(海耶克饰)。伊莎贝尔住在大街上，认为这个被污染、破败不堪的世界并不是真实的。她相信这个丑陋的世界是在一个美丽、和平、“真实”的极乐世界的内部。起初格雷格表示怀疑，但他最终发现这个理论很有道理。

　　宠爱女友的男主角，在好友帮忙下成功求婚。男主角当晚高兴入眠。至第二天醒来，发现自己在一个陌生房间，身边多了一个陌生女子，她告知是自己的老婆，惊讶之时才发现自己来到三年之后，离奇荒诞的事接踵而来，究竟为何会这样？这三年又发生了什么事？本身的女友又去了哪里呢？

　　在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

　　讲述伊丽莎白和科学家亨利结婚后，住进了后者的豪宅，亨利慷慨给予金钱、珠宝、高大上晚宴，其他人也都谦恭地对待着伊丽莎白，但她总有一种挥之不去的不安感。亨利向伊丽莎白保证现在他拥有的一切都是她的，唯独有一间上了锁的房间不允许进入。亨利出差后，伊丽莎白决定自己探寻真相，发现她可能不是自己所想的那样。

　　当一艘外星飞船降落在附近时，杰西卡醒来。在派遣一对年轻夫妇后，外星人以新派遣的年轻人的身份出现。杰西卡和她的占有欲强烈的情人约瑟芬邀请“安德斯”进来当他看起来受伤的时候。很快，杰西卡开始怀疑约瑟芬的专横跋扈，更多地依靠外星人的支持，但他在地球上的目的仍不清楚。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.