召唤蓝宝宝

简介：　　青年作家宋昭因急需买房结婚，来到太平 湖畔山水驿站，引起了一系列的卖房事件 。女主角张子一身为山水驿站老板为了保 住自己的小旅馆与宋昭之间发生的了种种 故事，最后，两人在山水之间找到了自己 的真爱。

简介：　　1997年，和战争几乎摧毁了旧世界的一切，天灾人祸，世道离乱，幸存者艰难求生，文明沦落，这是一个弱肉强食的残酷世界。少年（Munro Chambers 饰）居住在隐蔽的所在，他经常出没在废墟间，依他称之为“寻宝”的方式寻找有用的物品，然后换取食物以及他最喜欢的漫画书《极爆战士》。在此期间，古灵精怪的女孩“苹果”爱普尔（Laurence Leboeuf 饰）自顾自闯入少年的领地，虽然起初颇有些不情愿，不过少年慢慢接受了这个新伙伴。当他们的关系终于更进一步的时候，女孩突然被某个邪恶组织抓走，被迫要参加血腥残酷的角斗大赛。
　　为了救回爱普尔，少年化身他最崇拜的漫画英雄极爆战士冲入对方的领地……

简介：　　火、水、风、土、和空气，生命五种核心元素曾经注入在一本书--命运之书。黑暗笼罩了大地，需要借助笔和书的力量，但这本书却失踪了，人们以为它永远消失了，但数百年后却又再度出现……

简介：　　Two friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.

简介：　　一名已认罪的杀人犯正在接受精神科医生的评估，这位精神科医生很快发现自己卷入了一场错综复杂的谜团，一切始于一次评估，最终却引向永恒的黑暗。

简介：阿彪继承了母亲的Kopitiam咖啡馆，并与妻子百合子共同经营。这家店曾经生意兴隆，但阿彪的管理方式和非传统的营销策略却引发了意外危机，使Kopitiam陷入前所未有的困境。在与一位知名网红发生冲突后，Kopitiam卷入了媒体风波，导致生意急剧下滑。就在阿彪和百合子拼命努力扭转局势时，他们又面临着被收回店铺的威胁。他们能否成功度过这场危机，保护自己的家族企业？在逆境中，他们的婚姻和Kopitiam咖啡馆又将何去何从？

简介：　　安德烈（皮尔弗朗西斯科·法维诺 Pierfrancesco Favino 饰）是一名出色的脑科医生，而他的妻子苏菲（卡西娅·史穆特妮亚克 Kasia Smutniak 饰）是一档两性节目的主持人，安德烈正醉心于一项非常前沿的研究，而苏菲亦将全部的经历都投入到了工作中，希望能够在竞争压力非常大的行业内闯出一片属于自己的天地。
　　久而久之，安德烈和苏菲之间的感情开始出现了裂痕。就在两人决定离婚分道扬镳之际，安德烈请求苏菲参与他的研究实验，哪知道在这场实验里，两人的灵魂和身体发生了互换。虽然进入到了彼此的肉体之中，但生活还是要继续，于是两个人以对方的身份开始了新的旅程，在此过程中，他们体会到了彼此的不易，亦感知到了两人之间坚如磐石的羁绊。

简介：预科学校巴顿学院的老师保罗（保罗·吉亚玛提 饰）不太受欢迎，不管是学生、老师还是校长，都不太喜欢他，他们觉得他浮夸又僵化。在1970年的圣诞假期，保罗留在了学校监督无法回家的学生。几天后，只有一个学生留了下来——一个名叫安格斯的15岁捣蛋鬼，他是一个被不良行为破坏的好学生，总是在被开除的边缘试探。与保罗和安格斯一起留下的还有学校厨师长玛丽，一个为特权阶层的儿子们提供服务的非裔美国妇女，她自己的儿子最近在越南失踪了。这三个截然不同的失意者组成了一个奇怪的圣诞家庭，在新英格兰大雪纷飞的两个星期里，分享着不幸经历，并意识到他们中没有人感谢自己的过去。

简介：　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：讲述了17岁的女孩塔尼娅的故事。她计划在秋季入学前与朋友一起去欧洲度假。但是，她的妈妈决定去泰国参加一个健康疗养活动，因此塔尼娅不得不留在家里照顾她的兄弟姐妹。正如标题所示，当他们年迈的保姆意外去世时，塔尼娅找到了一份为一位雄心勃勃的女性工作的工作。在她努力平衡工作、家庭和复杂的爱情关系时，塔尼娅在失去最后一个自由的夏天的代价中，开始体验成人生活。

简介：影片讲述一个导演，克服了各种困难拍摄一部讲述罗马尼亚独立战争大片的故事，值得一提的是，这部影片就是罗马尼亚1912年拍摄的第一部电影史诗——《独立战争》。《余下的就是沉默》尽管根据真人真事改编，但是男主角电影导演却是虚构的，他为了拍电影一方面要筹募资金，另一方面还要提防一家法国电影公司窃取他的创意。 该片公映后好评如潮，一举囊括了2009年罗马尼亚GOPO电影奖最佳影片、最佳编剧、最佳女主角等九项大奖，被誉为罗马尼亚近二十年最出众的影片之一。

简介：电影改编自1957年的百老汇音乐剧，讲述了20世纪50年代纽约街头的“喷气机帮(Jet)”和 “鲨鱼帮(Sharks)”之间的争斗，以及分属不同帮派的“苦命鸳鸯”托尼（安塞尔·埃尔格特 饰）和玛丽亚（瑞秋·齐格勒 饰）的爱情。